Work
VICE News
VICE News Tonight
VICE News
VICE News Tonight
VICE News
VICE News Tonight
VICE News
VICE News Tonight
In 2016, VICE News Tonight launched as a nightly newscast to offer a well-rounded, in-depth reporting of the world utilizing its unorthodox style of journalism and focus on design and animation. Here is a brief timeline and some of my contributions over the six plus years as its format and vision evolved over time.
My Roles
Art Director (2016-2019) Graphics and Design Director (2020–2023)
In 2016, VICE News Tonight launched as a nightly newscast to offer a well-rounded, in-depth reporting of the world utilizing its unorthodox style of journalism and focus on design and animation. Here is a brief timeline and some of my contributions over the six plus years as its format and vision evolved over time.
My Roles
Art Director (2016-2019) Graphics and Design Director (2020–2023)
In 2016, VICE News Tonight launched as a nightly newscast to offer a well-rounded, in-depth reporting of the world utilizing its unorthodox style of journalism and focus on design and animation. Here is a brief timeline and some of my contributions over the six plus years as its format and vision evolved over time.
My Roles
Art Director (2016-2019) Graphics and Design Director (2020–2023)
In 2016, VICE News Tonight launched as a nightly newscast to offer a well-rounded, in-depth reporting of the world utilizing its unorthodox style of journalism and focus on design and animation. Here is a brief timeline and some of my contributions over the six plus years as its format and vision evolved over time.
My Roles
Art Director (2016-2019) Graphics and Design Director (2020–2023)
2016 – 2019
2016 – 2019
2016 – 2019
2016 – 2019
Launch
For the show launch, I worked on prototyping animated explainers and defining design guidelines. It was crude and experimental at best, but it was an exciting opportunity to get my feet into journalism and give my spin on news stories.
Launch
For the show launch, I worked on prototyping animated explainers and defining design guidelines. It was crude and experimental at best, but it was an exciting opportunity to get my feet into journalism and give my spin on news stories.
Launch
For the show launch, I worked on prototyping animated explainers and defining design guidelines. It was crude and experimental at best, but it was an exciting opportunity to get my feet into journalism and give my spin on news stories.
Launch
For the show launch, I worked on prototyping animated explainers and defining design guidelines. It was crude and experimental at best, but it was an exciting opportunity to get my feet into journalism and give my spin on news stories.
Hover to Play
Hover to Play
Below are select pages from the preliminary style guide. The goal was to create a system that was minimalist and digestible on both tv screens and personal devices.
Below are select pages from the preliminary style guide. The goal was to create a system that was minimalist and digestible on both tv screens and personal devices.
Below are select pages from the preliminary style guide. The goal was to create a system that was minimalist and digestible on both tv screens and personal devices.
Below are select pages from the preliminary style guide. The goal was to create a system that was minimalist and digestible on both tv screens and personal devices.
Redesign
The 2018 redesign was undertaken by the Graphics team and Mark Leeds. The show open was refreshed along with refined text specifications and layouts based on assessment of the first year.
Redesign
The 2018 redesign was undertaken by the Graphics team and Mark Leeds. The show open was refreshed along with refined text specifications and layouts based on assessment of the first year.
Redesign
The 2018 redesign was undertaken by the Graphics team and Mark Leeds. The show open was refreshed along with refined text specifications and layouts based on assessment of the first year.
Redesign
The 2018 redesign was undertaken by the Graphics team and Mark Leeds. The show open was refreshed along with refined text specifications and layouts based on assessment of the first year.
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Branded Stories
Animated stories with shorter turnaround time adhered closer to the brand’s visual identity.
Branded Stories
Animated stories with shorter turnaround time adhered closer to the brand’s visual identity.
Branded Stories
Animated stories with shorter turnaround time adhered closer to the brand’s visual identity.
Branded Stories
Animated stories with shorter turnaround time adhered closer to the brand’s visual identity.
Story Names
Story Names
Story Names
Story Names
Bespoke Stories
Some stories got their own bespoke art directions. In many cases, these gave a chance to collaborate with members of the Graphics team.
Bespoke Stories
Some stories got their own bespoke art directions. In many cases, these gave a chance to collaborate with members of the Graphics team.
Bespoke Stories
Some stories got their own bespoke art directions. In many cases, these gave a chance to collaborate with members of the Graphics team.
Bespoke Stories
Some stories got their own bespoke art directions. In many cases, these gave a chance to collaborate with members of the Graphics team.
Story Names
Story Names
Story Names
Story Names
2020 – 2023
2020 – 2023
2020 – 2023
2020 – 2023
VICE TV Relaunch
After a short hiatus, VICE News Tonight relaunched on VICE TV in 2020. The show adopted a new accent color to align with VICE Media Group’s strategy and the set design and interstitials were made to further strengthen its identity.
VICE TV Relaunch
After a short hiatus, VICE News Tonight relaunched on VICE TV in 2020. The show adopted a new accent color to align with VICE Media Group’s strategy and the set design and interstitials were made to further strengthen its identity.
VICE TV Relaunch
After a short hiatus, VICE News Tonight relaunched on VICE TV in 2020. The show adopted a new accent color to align with VICE Media Group’s strategy and the set design and interstitials were made to further strengthen its identity.
VICE TV Relaunch
After a short hiatus, VICE News Tonight relaunched on VICE TV in 2020. The show adopted a new accent color to align with VICE Media Group’s strategy and the set design and interstitials were made to further strengthen its identity.
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Franchises & Specials
With longer airtime and shift in distribution, the news department pivoted to producing more recurring themed segments and long-form documentaries. Graphics team’s focus moved away from covering daily news to packaging various contents.
Franchises & Specials
With longer airtime and shift in distribution, the news department pivoted to producing more recurring themed segments and long-form documentaries. Graphics team’s focus moved away from covering daily news to packaging various contents.
Franchises & Specials
With longer airtime and shift in distribution, the news department pivoted to producing more recurring themed segments and long-form documentaries. Graphics team’s focus moved away from covering daily news to packaging various contents.
Franchises & Specials
With longer airtime and shift in distribution, the news department pivoted to producing more recurring themed segments and long-form documentaries. Graphics team’s focus moved away from covering daily news to packaging various contents.
Story Names
Story Names
Story Names
Story Names
Appendix
Appendix
Appendix
Appendix
Explainers
Learning about complex concepts and visualizing those with the power of animation was one of my favorite tasks. Here are excerpts from various projects.
Explainers
Learning about complex concepts and visualizing those with the power of animation was one of my favorite tasks. Here are excerpts from various projects.
Explainers
Learning about complex concepts and visualizing those with the power of animation was one of my favorite tasks. Here are excerpts from various projects.
Explainers
Learning about complex concepts and visualizing those with the power of animation was one of my favorite tasks. Here are excerpts from various projects.
Play
Play
Play
Play
World's Smallest Machine Guns
Machanism of Auto Sears
World's Smallest Machine Guns
Machanism of Auto Sears
World's Smallest Machine Guns
Machanism of Auto Sears
World's Smallest Machine Guns
Machanism of Auto Sears
Play
Play
Play
Play
Yemen's Children of War
Projectile Forensic
Yemen's Children of War
Projectile Forensic
Yemen's Children of War
Projectile Forensic
Yemen's Children of War
Projectile Forensic
Play
Play
Play
Play
Colombia Police Violence
Footage Forensic
Colombia Police Violence
Footage Forensic
Colombia Police Violence
Footage Forensic
Colombia Police Violence
Footage Forensic
Play
Play
Play
Play
Taxes with Austan Goolsbee
Supply and Demand Chart
Taxes with Austan Goolsbee
Supply and Demand Chart
Taxes with Austan Goolsbee
Supply and Demand Chart
Taxes with Austan Goolsbee
Supply and Demand Chart
Play
Play
Play
Play
Do Your Research
Vaccine Microchip Conspiracy Theory
Do Your Research
Vaccine Microchip Conspiracy Theory
Do Your Research
Vaccine Microchip Conspiracy Theory
Do Your Research
Vaccine Microchip Conspiracy Theory
Play
Play
Play
Play
Hawaii Clean Power
Power Generation Diagram
Hawaii Clean Power
Power Generation Diagram
Hawaii Clean Power
Power Generation Diagram
Hawaii Clean Power
Power Generation Diagram
Goofy Ideas
At its heart, the VICE News Tonight always had an appetite for humor. I’m happy that some of my strangest creations have made it out there.
Goofy Ideas
At its heart, the VICE News Tonight always had an appetite for humor. I’m happy that some of my strangest creations have made it out there.
Goofy Ideas
At its heart, the VICE News Tonight always had an appetite for humor. I’m happy that some of my strangest creations have made it out there.
Goofy Ideas
At its heart, the VICE News Tonight always had an appetite for humor. I’m happy that some of my strangest creations have made it out there.
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
Hover to Play
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Hover to Play
2016–2019
Head of Design and Graphics: Kenton Powell
Design Directors: Michael Deal, Brian McGee, Lucy Paynter
Art Directors: Kazuyuki Ishii, Tim Livezey, Ana Simões
Motion Designer: Kris Cave
Animator/Illustrator: Abbey Lossing, Joel Plosz, Grace Shin
Illustrator: Pamela Guest
Graphic Designers: Leslie Xia, Sungpyo Hong
Graphics Editors: Alexander Stockton, Kate Wardell
Data Reporter: Allison McCann
Developers: Andrew Macfarlane, Michael Doukas
Producer: Isabella McKinley Corbo
2020–2023
Senior Creative Director: Ana Simões
Graphics and Design Director: Kazuyuki Ishii
Senior Motion Designer: Kris Cave
Senior Animator: Grace Shin
Animator/Illustrator: Paige Money
Motion Designers: Rio Roye, Jay Liquori, Zach Christy, Sean Wehrli, Yonju Kim
Graphic Designers: Sungpyo Hong, Joana Sobral, Raquel Rei, Ana Areias
Graphics Editor: Kate Wardell
Graphics Coordinators: Emma Newark, Susie Kim
2016–2019
Head of Design and Graphics: Kenton Powell
Design Directors: Michael Deal, Brian McGee, Lucy Paynter
Art Directors: Kazuyuki Ishii, Tim Livezey, Ana Simões
Motion Designer: Kris Cave
Animator/Illustrator: Abbey Lossing, Joel Plosz, Grace Shin
Illustrator: Pamela Guest
Graphic Designers: Leslie Xia, Sungpyo Hong
Graphics Editors: Alexander Stockton, Kate Wardell
Data Reporter: Allison McCann
Developers: Andrew Macfarlane, Michael Doukas
Producer: Isabella McKinley Corbo
2020–2023
Senior Creative Director: Ana Simões
Graphics and Design Director: Kazuyuki Ishii
Senior Motion Designer: Kris Cave
Senior Animator: Grace Shin
Animator/Illustrator: Paige Money
Motion Designers: Rio Roye, Jay Liquori, Zach Christy, Sean Wehrli, Yonju Kim
Graphic Designers: Sungpyo Hong, Joana Sobral, Raquel Rei, Ana Areias
Graphics Editor: Kate Wardell
Graphics Coordinators: Emma Newark, Susie Kim
2016–2019
Head of Design and Graphics: Kenton Powell
Design Directors: Michael Deal, Brian McGee, Lucy Paynter
Art Directors: Kazuyuki Ishii, Tim Livezey, Ana Simões
Motion Designer: Kris Cave
Animator/Illustrator: Abbey Lossing, Joel Plosz, Grace Shin
Illustrator: Pamela Guest
Graphic Designers: Leslie Xia, Sungpyo Hong
Graphics Editors: Alexander Stockton, Kate Wardell
Data Reporter: Allison McCann
Developers: Andrew Macfarlane, Michael Doukas
Producer: Isabella McKinley Corbo
2020–2023
Senior Creative Director: Ana Simões
Graphics and Design Director: Kazuyuki Ishii
Senior Motion Designer: Kris Cave
Senior Animator: Grace Shin
Animator/Illustrator: Paige Money
Motion Designers: Rio Roye, Jay Liquori, Zach Christy, Sean Wehrli, Yonju Kim
Graphic Designers: Sungpyo Hong, Joana Sobral, Raquel Rei, Ana Areias
Graphics Editor: Kate Wardell
Graphics Coordinators: Emma Newark, Susie Kim
2016–2019
Head of Design and Graphics: Kenton Powell
Design Directors: Michael Deal, Brian McGee, Lucy Paynter
Art Directors: Kazuyuki Ishii, Tim Livezey, Ana Simões
Motion Designer: Kris Cave
Animator/Illustrator: Abbey Lossing, Joel Plosz, Grace Shin
Illustrator: Pamela Guest
Graphic Designers: Leslie Xia, Sungpyo Hong
Graphics Editors: Alexander Stockton, Kate Wardell
Data Reporter: Allison McCann
Developers: Andrew Macfarlane, Michael Doukas
Producer: Isabella McKinley Corbo
2020–2023
Senior Creative Director: Ana Simões
Graphics and Design Director: Kazuyuki Ishii
Senior Motion Designer: Kris Cave
Senior Animator: Grace Shin
Animator/Illustrator: Paige Money
Motion Designers: Rio Roye, Jay Liquori, Zach Christy, Sean Wehrli, Yonju Kim
Graphic Designers: Sungpyo Hong, Joana Sobral, Raquel Rei, Ana Areias
Graphics Editor: Kate Wardell
Graphics Coordinators: Emma Newark, Susie Kim